![]() There is nothing revolutionary about it, but the guitar tone is striking. Like the piano’s foundation, it is simple and precise, consisting of a B flat root note, perfect fifth and octave. Intentional or not, it also serves as an homage to the quintessential menacing icon of cinema-legendary Star Wars composer John Williams used it for “The Imperial March (Darth Vader’s Theme).”įour measures in, a single guitar chord rings out in Giacchino’s “The Batman” theme. It mirrors Kurt Cobain’s guitar chords in the de facto theme song of The Batman-Nirvana’s “Something in the Way.” This two-note introduction may feel familiar. The tonal interval-moving from the tonic down two whole tones to the minor sixth degree-is inherently menacing, invoking the image of a glowering figure emerging from the shadows. In their stead, a muted piano taps its rhythm low and slow, establishing the key of B flat before quickly descending. In his score for The Batman, the brooding emotional tone of composer Michael Giacchino’s character theme is established from bar one in the track of the same name.
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